{"title":"Other","description":"\u003cp\u003eOther items from my shop, including medals, comics and magazines.\u003c\/p\u003e","products":[{"product_id":"g-h-prud-homme-hygie-art-nouveau-bronze-plaquette-hygieia-medicine-france","title":"G H Prud’homme HYGIE Art Nouveau Bronze Plaquette Hygieia Medicine France","description":"```html\n\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Art Nouveau Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Georges-Henri Prud’homme\n \u003cbr\u003e\n “HYGIE”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n French Art Nouveau Bronze Plaquette\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Original French Art Nouveau bronze medallic plaquette by noted French\n sculptor and medalist \u003cstrong\u003eGeorges-Henri Prud’homme (1873–1947)\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n The composition is titled \u003cstrong\u003e“Hygie”\u003c\/strong\u003e and depicts\n \u003cstrong\u003eHygieia\u003c\/strong\u003e, the ancient Greek goddess and personification of\n health, cleanliness, and preventive medicine.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Design \u0026amp; Symbolism\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Hygieia is shown in classical profile holding a \u003cstrong\u003eserpent and vessel\u003c\/strong\u003e.\n The serpent and cup of Hygieia became enduring symbols of medicine and,\n particularly, pharmacy — imagery still recognized internationally today.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The composition is surrounded by flowing botanical ornament typical of\n French Art Nouveau medallic art.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Reverse \u0026amp; Artist Signature\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The reverse carries a decorative laurel or foliate branch along the lower\n portion, with a large blank presentation field above. This example appears\n never to have been personally engraved or awarded.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The artist’s signature \u003cstrong\u003eG. PRUD’HOMME\u003c\/strong\u003e appears vertically\n along the right edge of the design.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmark \u0026amp; Reference\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The edge carries the French \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e together\n with \u003cstrong\u003eBRONZE\u003c\/strong\u003e, characteristic of French medallic production\n associated with the \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n A documented example of this exact Prud’homme design appeared in a\n specialist German medal auction and was described as\n \u003cstrong\u003e“Hygie — Hygieia with serpent cup \/ laurel branch, blank field above.”\u003c\/strong\u003e\n That specimen measured 50.8 × 40 mm and weighed 45.98 grams.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Georges-Henri Prud’homme (1873–1947)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Hygie\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Early 20th century, circa 1900–1915\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Jugendstil\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Type\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Medallic art plaquette \/ presentation plaquette\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Subject\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Hygie \/ Hygieia — Greek goddess of health\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 52 grams\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 51 × 40 mm \/ 2 × 1.57 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Signature\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n G. PRUD’HOMME\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reference\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Not listed in Maier in the specialist auction reference consulted\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n About the Artist\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Prud’homme was an accomplished French sculptor and medalist whose work is\n represented in major museum collections, including the\n \u003cstrong\u003eMusée d’Orsay\u003c\/strong\u003e. He produced numerous medallic works during\n the flourishing period of French plaquette design around the turn of the\n 20th century.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Attractive antique bronze patina with scattered spotting, fine scratches,\n handling marks, and surface variation consistent with age. Strong and\n well-defined relief. The broad reverse presentation field shows scattered\n fine scratches. Please review all photographs closely, as they form an\n important part of the description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A beautiful and unusually difficult-to-find example of French Art Nouveau\n medallic sculpture, with particular appeal to collectors of\n \u003cstrong\u003eantique medical, pharmaceutical, and scientific material\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Art Nouveau\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Georges-Henri Prud’homme\n \u003cbr\u003e\n « HYGIE »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette française en bronze Art Nouveau\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze de style\n \u003cstrong\u003eArt Nouveau\u003c\/strong\u003e, réalisée par le célèbre sculpteur et médailleur\n français \u003cstrong\u003eGeorges-Henri Prud’homme (1873–1947)\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n La composition est intitulée \u003cstrong\u003e« Hygie »\u003c\/strong\u003e et représente\n \u003cstrong\u003eHygie\u003c\/strong\u003e, déesse grecque antique et personnification de la\n santé, de la propreté et de la médecine préventive.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Composition \u0026amp; Symbolisme\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Hygie est représentée de profil dans un style classique, tenant un\n \u003cstrong\u003eserpent et un récipient\u003c\/strong\u003e. Le serpent et la coupe d’Hygie\n sont devenus des symboles durables de la médecine et, plus particulièrement,\n de la pharmacie. Cette iconographie demeure encore aujourd’hui reconnue\n dans le monde entier.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La composition est entourée d’un décor végétal fluide caractéristique de\n l’art médaillistique français de style Art Nouveau.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Revers \u0026amp; Signature\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Le revers présente, dans sa partie inférieure, une branche décorative de\n laurier ou de feuillage, surmontée d’un large espace vierge destiné à une\n éventuelle inscription de présentation. Cet exemplaire ne semble jamais\n avoir été gravé nominativement ni attribué.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La signature de l’artiste \u003cstrong\u003eG. PRUD’HOMME\u003c\/strong\u003e apparaît\n verticalement sur le bord droit de la composition.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçon \u0026amp; Référence\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon français à la corne d’abondance\u003c\/strong\u003e\n ainsi que la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e, caractéristiques de la\n production médaillistique française associée à la\n \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Un exemplaire documenté de ce même modèle de Prud’homme est apparu dans\n une vente spécialisée allemande consacrée aux médailles, où il était décrit\n comme \u003cstrong\u003e« Hygie — Hygie avec coupe au serpent \/ branche de\n laurier, champ vierge au-dessus »\u003c\/strong\u003e. Cet exemplaire mesurait\n 50,8 × 40 mm et pesait 45,98 grammes.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Georges-Henri Prud’homme (1873–1947)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Hygie\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Début du XXe siècle, vers 1900–1915\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Jugendstil\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Type\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Plaquette d’art médaillistique \/ plaquette de présentation\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Sujet\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Hygie \/ Hygieia — déesse grecque de la santé\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 52 grammes\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 51 × 40 mm \/ 2 × 1,57 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Signature\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n G. PRUD’HOMME\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Référence\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Non répertoriée dans Maier selon la référence de vente spécialisée consultée\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n À propos de l’artiste\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Prud’homme fut un sculpteur et médailleur français accompli, dont les\n œuvres figurent dans d’importantes collections muséales, notamment au\n \u003cstrong\u003eMusée d’Orsay\u003c\/strong\u003e. Il réalisa de nombreuses œuvres\n médaillistiques pendant la période florissante de la plaquette française\n autour du tournant du XXe siècle.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Belle patine ancienne du bronze avec quelques taches, fines rayures,\n marques de manipulation et variations de surface compatibles avec l’âge.\n Relief puissant et bien défini. Le large champ de présentation au revers\n présente plusieurs fines rayures dispersées. Veuillez examiner attentivement\n toutes les photographies, qui constituent une partie importante de la\n description de l’état de l’objet.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un bel exemple, particulièrement difficile à trouver, de sculpture\n médaillistique française Art Nouveau, présentant un intérêt particulier\n pour les collectionneurs d’\u003cstrong\u003eobjets anciens liés à la médecine,\n à la pharmacie et aux sciences\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\n```\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746414390,"sku":"Bin - Shelby - 2026-09-11","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_365f7c40-fe90-4dcc-a5ab-a1fc08032160.jpg?v=1791989708"},{"product_id":"1904-g-h-prud-homme-art-nouveau-bronze-plaquette-enfant-pecheur-maier-236-france","title":"1904 G H Prud’homme Art Nouveau Bronze Plaquette Enfant Pecheur Maier 236 France","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Art Nouveau Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n 1904 Georges-Henri Prud’homme\n \u003cbr\u003e\n “Source et Enfant Pêcheur”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Art Nouveau Bronze Plaquette • Maier 236\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Original French Art Nouveau bronze medallic plaquette created in\n \u003cstrong\u003e1904\u003c\/strong\u003e by noted French medalist and sculptor\n \u003cstrong\u003eGeorges-Henri Prud’homme (1873–1947)\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n The design is known as\n \u003cstrong\u003e“Source et Enfant Pêcheur”\u003c\/strong\u003e\n (“The Spring and Child Fisherman”) and is cataloged as\n \u003cstrong\u003eMaier 236\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Design\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n One side depicts an allegorical nude female spring or water nymph standing\n among reeds and aquatic vegetation beside flowing water. The design is signed\n \u003cstrong\u003eG. PRVD’HOMME 1904\u003c\/strong\u003e at lower right.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The opposite side depicts a nude child seated on a rocky bank fishing,\n with a sailboat visible in the distance.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmarks \u0026amp; Artist\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The edge bears the \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e and\n \u003cstrong\u003eBRONZE\u003c\/strong\u003e mark, characteristic of French\/Paris Mint medallic\n production of the period.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Prud’homme studied under \u003cstrong\u003eAlexandre Falguière\u003c\/strong\u003e and\n \u003cstrong\u003eAlphée Dubois\u003c\/strong\u003e and received a third-class medal from the\n Société des Artistes Français in 1904. His medallic work is represented\n in major museum collections, including the \u003cstrong\u003eMusée d’Orsay\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Georges-Henri Prud’homme (1873–1947)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Source et Enfant Pêcheur \/ Enfant Pêcheur\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1904\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 82 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Form\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Double-sided rectangular medallic plaquette\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Catalog\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Maier 236\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Approx. Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 68–69 × 39–40 mm \/ 2.7 × 1.55 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Antique condition with original-looking bronze patina and scattered\n surface marks, scratches, and handling wear. Relief remains well defined.\n \u003cstrong\u003eNo cleaning has been performed by us.\u003c\/strong\u003e\n Please examine the high-resolution photographs carefully, as they form an\n important part of the condition description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A fine example of early 20th-century French medallic art combining\n \u003cstrong\u003eArt Nouveau naturalism\u003c\/strong\u003e with the\n \u003cstrong\u003eclassical allegorical tradition\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;color:#555555;\"\u003e\n This beautiful piece is an heirloom from a family in Pittsford, New York,\n that would like to see it find a good new home in a private collection\n or museum.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Art Nouveau\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n 1904 Georges-Henri Prud’homme\n \u003cbr\u003e\n « Source et Enfant Pêcheur »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette en bronze Art Nouveau • Maier 236\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze de style\n \u003cstrong\u003eArt Nouveau\u003c\/strong\u003e, créée en \u003cstrong\u003e1904\u003c\/strong\u003e par le célèbre\n médailleur et sculpteur français\n \u003cstrong\u003eGeorges-Henri Prud’homme (1873–1947)\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Cette composition est connue sous le titre\n \u003cstrong\u003e« Source et Enfant Pêcheur »\u003c\/strong\u003e\n et est répertoriée sous la référence\n \u003cstrong\u003eMaier 236\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Décor\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Une face représente une figure féminine nue et allégorique, personnifiant\n une source ou une nymphe des eaux, debout parmi des roseaux et une\n végétation aquatique au bord de l’eau courante. La composition porte la\n signature \u003cstrong\u003eG. PRVD’HOMME 1904\u003c\/strong\u003e en bas à droite.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n L’autre face représente un enfant nu assis sur une rive rocheuse en train\n de pêcher, avec un voilier visible au loin.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçons \u0026amp; Artiste\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon à la corne d’abondance\u003c\/strong\u003e ainsi\n que la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e, caractéristiques de la production\n médaillistique française de la Monnaie de Paris de cette période.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Prud’homme étudia auprès d’\u003cstrong\u003eAlexandre Falguière\u003c\/strong\u003e et\n d’\u003cstrong\u003eAlphée Dubois\u003c\/strong\u003e. Il reçut une médaille de troisième classe\n de la Société des Artistes Français en 1904. Ses œuvres médaillistiques\n sont conservées dans d’importantes collections muséales, notamment au\n \u003cstrong\u003eMusée d’Orsay\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Georges-Henri Prud’homme (1873–1947)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Source et Enfant Pêcheur \/ Enfant Pêcheur\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1904\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 82 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Forme\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Plaquette médaillistique rectangulaire à double face\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Catalogue\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Maier 236\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions approx.\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 68–69 × 39–40 mm \/ 2,7 × 1,55 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n État ancien avec une patine de bronze paraissant d’origine, ainsi que\n diverses marques de surface, rayures et traces de manipulation.\n Les reliefs restent bien définis.\n \u003cstrong\u003eNous n’avons effectué aucun nettoyage.\u003c\/strong\u003e\n Veuillez examiner attentivement les photographies en haute résolution,\n car elles constituent une partie importante de la description de l’état\n de l’objet.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un bel exemple de l’art médaillistique français du début du XXe siècle,\n associant le \u003cstrong\u003enaturalisme de l’Art Nouveau\u003c\/strong\u003e à la\n \u003cstrong\u003etradition allégorique classique\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;color:#555555;\"\u003e\n Cette belle pièce provient d’une famille de Pittsford, dans l’État de\n New York, qui souhaite la voir trouver un nouveau foyer où elle sera\n appréciée, au sein d’une collection privée ou d’un musée.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746447158,"sku":"Bin - Shelby - 2026-09-11","price":349.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_97c4b055-976b-402d-8d79-cac638a2e6d5.jpg?v=1791989711"},{"product_id":"rene-baudichon-semeur-c1904-art-nouveau-bronze-plaquette-sower-france-case","title":"Rene Baudichon Semeur c1904 Art Nouveau Bronze Plaquette Sower France Case","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Art Nouveau Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n René Baudichon\n \u003cbr\u003e\n “Semeur” (The Sower)\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n French Bronze Plaquette • c. 1904\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Original French bronze medallic plaquette by noted sculptor and medalist\n \u003cstrong\u003eRené Baudichon (1878–1963)\u003c\/strong\u003e, depicting his celebrated\n agricultural composition \u003cstrong\u003eSemeur (“The Sower”)\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The obverse depicts a farmer striding through a field while scattering seed,\n signed \u003cstrong\u003eRENÉ BAUDICHON\u003c\/strong\u003e at lower left.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The reverse depicts a partially harvested grain field with bound sheaves and\n agricultural implements, with Baudichon’s \u003cstrong\u003eRB monogram\u003c\/strong\u003e at\n lower left.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Dating \u0026amp; Museum Reference\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The design is generally attributed to \u003cstrong\u003ecirca 1904\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Related examples of Baudichon’s \u003cstrong\u003eSemeur\u003c\/strong\u003e are held by the\n \u003cstrong\u003eMusée d’Orsay\u003c\/strong\u003e, which dates the composition to the period\n \u003cstrong\u003e1897–1910\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmark\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The edge bears the French \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e and\n \u003cstrong\u003eBRONZE\u003c\/strong\u003e mark, characteristic of French medallic production\n of the period.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n René Baudichon (1878–1963)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Semeur \/ The Sower\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Undated, design attributed to c. 1904\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 86 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 63 × 42 mm \/ 2.5 × 1.65 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Obverse Signature\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n RENÉ BAUDICHON\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n RB monogram\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Subject\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Agriculture \/ sowing \/ harvest\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Antique Fitted Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Presented in an antique fitted hinged case with burgundy velvet interior.\n The case shows considerable age-related exterior and interior wear; please\n examine the photographs carefully.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eWe have not established whether the case was originally issued with\n this specific plaquette.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The bronze displays an attractive aged surface with scattered marks and\n handling wear while retaining strong relief and fine detail.\n \u003cstrong\u003eNo cleaning has been performed by us.\u003c\/strong\u003e\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n Please examine all photographs carefully for exact condition, as they form\n an important part of the description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n An excellent example of \u003cstrong\u003eearly 20th-century French medallic art\u003c\/strong\u003e,\n combining Art Nouveau naturalism with imagery celebrating\n \u003cstrong\u003eagriculture, labor, sowing, and the harvest\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Art Nouveau\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n René Baudichon\n \u003cbr\u003e\n « Semeur »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette française en bronze • vers 1904\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze du célèbre sculpteur\n et médailleur \u003cstrong\u003eRené Baudichon (1878–1963)\u003c\/strong\u003e, représentant\n sa composition agricole renommée \u003cstrong\u003e« Semeur »\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n L’avers représente un paysan avançant à travers un champ tout en semant\n des graines. La composition est signée\n \u003cstrong\u003eRENÉ BAUDICHON\u003c\/strong\u003e en bas à gauche.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le revers représente un champ de céréales partiellement moissonné, avec\n des gerbes liées et des outils agricoles. Le\n \u003cstrong\u003emonogramme RB\u003c\/strong\u003e de Baudichon apparaît en bas à gauche.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Datation \u0026amp; Référence Muséale\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Le modèle est généralement daté d’environ \u003cstrong\u003e1904\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Des exemplaires apparentés du \u003cstrong\u003eSemeur\u003c\/strong\u003e de Baudichon sont\n conservés au \u003cstrong\u003eMusée d’Orsay\u003c\/strong\u003e, qui date cette composition de\n la période \u003cstrong\u003e1897–1910\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçon\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon à la corne d’abondance\u003c\/strong\u003e ainsi\n que la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e, caractéristiques de la production\n médaillistique française de cette période.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n René Baudichon (1878–1963)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Semeur \/ The Sower\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Non datée, modèle attribué vers 1904\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 86 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 63 × 42 mm \/ 2,5 × 1,65 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Signature à l’avers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n RENÉ BAUDICHON\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monogramme RB\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Sujet\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Agriculture \/ semailles \/ moisson\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Écrin Ancien Ajusté\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Présentée dans un écrin ancien à charnière, ajusté à la plaquette et garni\n de velours bordeaux. L’écrin présente une usure extérieure et intérieure\n importante liée à l’âge ; veuillez examiner attentivement les photographies.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eNous n’avons pas établi que cet écrin ait été livré à l’origine\n avec cette plaquette précise.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le bronze présente une belle surface ancienne avec diverses marques et\n traces de manipulation, tout en conservant un relief puissant et de fins\n détails. \u003cstrong\u003eAucun nettoyage n’a été effectué par nos soins.\u003c\/strong\u003e\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n Veuillez examiner attentivement toutes les photographies afin d’évaluer\n précisément l’état de l’ensemble ; elles constituent une partie importante\n de la description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un excellent exemple de \u003cstrong\u003el’art médaillistique français du début du\n XXe siècle\u003c\/strong\u003e, associant le naturalisme de l’Art Nouveau à une\n iconographie célébrant \u003cstrong\u003el’agriculture, le travail, les semailles et\n la moisson\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746479926,"sku":"Bin - Shelby - 2026-09-11","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_4cba5c8c-952a-43b6-8116-8e1da7a85f0a.jpg?v=1791989715"},{"product_id":"1904-pierre-dautel-elegie-art-nouveau-bronze-plaquette-paris-mint-maier-255","title":"1904 Pierre Dautel Elegie Art Nouveau Bronze Plaquette Paris Mint Maier 255","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Belle Époque Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Pierre-Victor Dautel\n \u003cbr\u003e\n “Élégie”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n French Bronze Medallic Plaquette • Rome 1904 • Maier 255\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Original French bronze medallic plaquette titled\n \u003cstrong\u003eÉlégie\u003c\/strong\u003e by \u003cstrong\u003ePierre-Victor Dautel (1873–1951)\u003c\/strong\u003e,\n designed in \u003cstrong\u003eRome in 1904\u003c\/strong\u003e and subsequently issued by the\n \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The obverse depicts an expressive young woman in profile looking upward,\n her hair partially covered and adorned with laurel.\n \u003cstrong\u003eÉLÉGIE\u003c\/strong\u003e is inscribed prominently in the exergue, with\n Dautel’s signature along the lower edge and\n \u003cstrong\u003eROME \/ 1904\u003c\/strong\u003e at lower right.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The reverse presents a strikingly atmospheric Italian landscape with a\n tall tree rising among ancient architectural ruins, an evocative scene\n associated with the Roman countryside. Specialist cataloging describes\n the composition as a \u003cstrong\u003ecypress among classical ruins\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Rome, Villa Medici \u0026amp; the Origin of the Title\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The design has a particularly interesting connection to Dautel’s period\n in Rome. He created the portrait in \u003cstrong\u003e1904\u003c\/strong\u003e while residing\n at the \u003cstrong\u003eVilla Medici\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The composition was reportedly first conceived under the title\n \u003cstrong\u003eLa Muse de Leopardi\u003c\/strong\u003e, referring to Italian Romantic poet\n \u003cstrong\u003eGiacomo Leopardi\u003c\/strong\u003e, before being retitled\n \u003cstrong\u003eÉlégie\u003c\/strong\u003e at the request of the Monnaie de Paris. The final\n title evokes the traditional elegy — a lyrical expression of\n mourning, reflection, and melancholy.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Catalog References \u0026amp; Issue\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The plaquette is documented in specialist references as\n \u003cstrong\u003eMaier 255\u003c\/strong\u003e and \u003cstrong\u003eCMP vol. 3, p. 121 F\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n A historical Noonans catalog records the design as created in Rome in\n \u003cstrong\u003e1904\u003c\/strong\u003e and issued by the French Mint in\n \u003cstrong\u003e1907\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Pierre-Victor Dautel (1873–1951)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Élégie \/ Elegy\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Design Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1904, Rome\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Issue\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie de Paris \/ French Mint\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Belle Époque \/ Art Nouveau-era medallic art\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 98 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 64 × 45 mm \/ 2.5 × 1.75 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n References\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Maier 255; CMP vol. 3, p. 121 F\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Obverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Female bust in profile, ÉLÉGIE below; signed Dautel and ROME \/ 1904\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Tree and classical ruins evoking the Roman countryside\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Antique Fitted Presentation Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Presented in an antique fitted hinged presentation case with\n \u003cstrong\u003egreen silk lining and fitted velvet interior\u003c\/strong\u003e. The case\n appears period and is closely fitted to the plaquette.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eWe have not established whether the case was originally issued\n with this particular example.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The bronze displays an attractive aged surface with toning, patina\n variation, scattered marks, and handling wear. The sculptural relief\n remains \u003cstrong\u003eexceptionally expressive\u003c\/strong\u003e, particularly in the\n upward-looking portrait and the atmospheric landscape on the reverse.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n The fitted case shows substantial age-related wear, including exterior\n rubbing, deterioration around the hinge, worn interior fabric, and\n loose or frayed silk trim. Please examine all photographs carefully, as\n they form an important part of the condition description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A compelling example of \u003cstrong\u003eearly 20th-century French medallic art\u003c\/strong\u003e,\n bringing together Dautel’s \u003cstrong\u003ePrix de Rome-era work\u003c\/strong\u003e, the\n artistic environment of the \u003cstrong\u003eVilla Medici\u003c\/strong\u003e, classical Roman\n imagery, and the literary theme of the \u003cstrong\u003eelegy\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Belle Époque\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Pierre-Victor Dautel\n \u003cbr\u003e\n « Élégie »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette française en bronze • Rome 1904 • Maier 255\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze intitulée\n \u003cstrong\u003eÉlégie\u003c\/strong\u003e, œuvre de\n \u003cstrong\u003ePierre-Victor Dautel (1873–1951)\u003c\/strong\u003e, conçue à\n \u003cstrong\u003eRome en 1904\u003c\/strong\u003e puis éditée par la\n \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n L’avers représente une jeune femme expressive de profil, levant le regard,\n les cheveux partiellement couverts et ornés de laurier.\n \u003cstrong\u003eÉLÉGIE\u003c\/strong\u003e est inscrit de manière bien visible dans l’exergue,\n avec la signature de Dautel le long du bord inférieur et\n \u003cstrong\u003eROME \/ 1904\u003c\/strong\u003e en bas à droite.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le revers présente un paysage italien d’une grande atmosphère, avec un\n grand arbre s’élevant parmi des ruines architecturales antiques, évocation\n poétique de la campagne romaine. Les catalogues spécialisés décrivent la\n scène comme un \u003cstrong\u003ecyprès parmi des ruines classiques\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Rome, Villa Médicis \u0026amp; Origine du Titre\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Le modèle possède un lien particulièrement intéressant avec le séjour de\n Dautel à Rome. Il réalisa le portrait en \u003cstrong\u003e1904\u003c\/strong\u003e alors qu’il\n résidait à la \u003cstrong\u003eVilla Médicis\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La composition aurait d’abord été conçue sous le titre\n \u003cstrong\u003eLa Muse de Leopardi\u003c\/strong\u003e, en référence au poète romantique\n italien \u003cstrong\u003eGiacomo Leopardi\u003c\/strong\u003e, avant d’être rebaptisée\n \u003cstrong\u003eÉlégie\u003c\/strong\u003e à la demande de la Monnaie de Paris. Ce titre\n définitif évoque l’élégie traditionnelle — expression lyrique du\n deuil, de la réflexion et de la mélancolie.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Références \u0026amp; Émission\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n La plaquette est répertoriée dans les références spécialisées sous\n \u003cstrong\u003eMaier 255\u003c\/strong\u003e et\n \u003cstrong\u003eCMP, vol. 3, p. 121 F\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Un ancien catalogue Noonans indique que le modèle fut créé à Rome en\n \u003cstrong\u003e1904\u003c\/strong\u003e puis édité par la Monnaie française en\n \u003cstrong\u003e1907\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Pierre-Victor Dautel (1873–1951)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Élégie \/ Elegy\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date du modèle\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1904, Rome\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Émission\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie de Paris\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Belle Époque \/ art médaillistique de l’époque Art Nouveau\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 98 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 64 × 45 mm \/ 2,5 × 1,75 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Références\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Maier 255 ; CMP vol. 3, p. 121 F\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Avers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Buste féminin de profil, ÉLÉGIE en dessous ; signé Dautel et ROME \/ 1904\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Arbre et ruines classiques évoquant la campagne romaine\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Écrin Ancien de Présentation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Présentée dans un ancien écrin de présentation à charnière, ajusté à la\n plaquette, avec \u003cstrong\u003edoublure en soie verte et intérieur en velours\u003c\/strong\u003e.\n L’écrin paraît d’époque et épouse étroitement la forme de la pièce.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eNous n’avons toutefois pas établi qu’il ait été livré à l’origine\n avec cet exemplaire particulier.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le bronze présente une belle surface ancienne avec des nuances de ton,\n variations de patine, marques dispersées et traces de manipulation. Le\n relief sculptural reste \u003cstrong\u003eparticulièrement expressif\u003c\/strong\u003e,\n notamment dans le portrait au regard levé et dans le paysage atmosphérique\n du revers.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n L’écrin ajusté présente une usure importante liée à l’âge, notamment des\n frottements extérieurs, une détérioration autour de la charnière, une\n usure des tissus intérieurs ainsi qu’une garniture de soie lâche ou\n effilochée. Veuillez examiner attentivement toutes les photographies,\n qui constituent une partie importante de la description de l’état.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un remarquable exemple de\n \u003cstrong\u003el’art médaillistique français du début du XXe siècle\u003c\/strong\u003e,\n réunissant le travail de Dautel durant sa période du\n \u003cstrong\u003ePrix de Rome\u003c\/strong\u003e, l’environnement artistique de la\n \u003cstrong\u003eVilla Médicis\u003c\/strong\u003e, l’imagerie classique romaine et le thème\n littéraire de \u003cstrong\u003el’élégie\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746512694,"sku":"Bin - Shelby - 2026-09-11","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_891219ff-9216-4992-93a0-a54904d24013.jpg?v=1791989725"},{"product_id":"antique-lavoisier-bronze-medal-caque-monnaie-de-paris-chemistry-w-case","title":"Antique Lavoisier Bronze Medal Caque Monnaie de Paris Chemistry w\/ Case","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Scientific \u0026amp; Medallic History\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Antoine-Laurent Lavoisier\n \u003cbr\u003e\n Bronze Medal by Armand-Auguste Caqué\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Monnaie de Paris • With Period Presentation Case\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n French bronze medal honoring\n \u003cstrong\u003eAntoine-Laurent Lavoisier (1743–1794)\u003c\/strong\u003e, the celebrated\n French scientist widely regarded as one of the founders of modern chemistry.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n The medal was designed by French medalist\n \u003cstrong\u003eArmand-Auguste Caqué (1793–1881)\u003c\/strong\u003e, whose original\n Lavoisier portrait medal dates to \u003cstrong\u003e1821\u003c\/strong\u003e. This is the larger,\n approximately 50 mm Monnaie de Paris version, with Lavoisier’s biographical\n inscription surrounded by an oak-leaf wreath on the reverse.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n \u003cstrong\u003eObverse:\u003c\/strong\u003e Left-facing high-relief portrait of Lavoisier,\n inscribed \u003cstrong\u003eLAURENT LAVOISIER\u003c\/strong\u003e and signed\n \u003cstrong\u003eCAQUÉ F.\u003c\/strong\u003e beneath the portrait.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n \u003cstrong\u003eReverse:\u003c\/strong\u003e Oak-leaf wreath surrounding a seven-line\n biographical inscription recording Lavoisier’s birth in Paris in 1743,\n election to the Académie des Sciences in 1768, position as Fermier Général\n in 1769, administration of the Caisse d’Escompte in 1788, and death in 1794.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmark \u0026amp; Issue\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The edge is stamped with the French\n \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e and \u003cstrong\u003eBRONZE\u003c\/strong\u003e,\n characteristic of medallic production associated with the\n \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n This example represents the larger later issue of Caqué’s Lavoisier medal,\n based on his original portrait design of 1821.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Historical Significance\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Lavoisier was one of the most important figures in the history of chemistry.\n His experimental work transformed the understanding of combustion, helped\n establish modern chemical nomenclature, and contributed fundamentally to\n the quantitative approach that became central to modern chemistry. He was\n executed during the French Revolution in \u003cstrong\u003e1794\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Subject\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Antoine-Laurent Lavoisier (1743–1794)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Medalist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Armand-Auguste Caqué (1793–1881)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Mint \/ Workshop\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie de Paris\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Diameter\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 50–51 mm \/ 2 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 54 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Original Portrait Design\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1821\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Issue\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Larger later issue of Caqué’s Lavoisier medal\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Fitted Presentation Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The medal is accompanied by the fitted red presentation case shown in the\n photographs. The case displays substantial age-related wear, including\n surface loss, edge and corner wear, and deterioration around the hinge and\n interior lining.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n The case is included as found, and\n \u003cstrong\u003eits precise date and origin have not been independently established\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The medal itself has attractive antique bronze coloration with scattered\n marks and surface wear consistent with age. Portrait and reverse details\n remain sharp and well defined. \u003cstrong\u003eNo cleaning has been performed by us.\u003c\/strong\u003e\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n Please examine all high-resolution photographs carefully for exact condition;\n photographs form an important part of the description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A particularly appealing historical medal for collectors of\n \u003cstrong\u003eFrench medals, scientific history, chemistry, Enlightenment history,\n Lavoisier memorabilia, and Monnaie de Paris medallic art\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Histoire Scientifique \u0026amp; Art Médaillistique Français\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Antoine-Laurent Lavoisier\n \u003cbr\u003e\n Médaille en Bronze par Armand-Auguste Caqué\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Monnaie de Paris • Avec écrin de présentation ancien\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Médaille française en bronze honorant\n \u003cstrong\u003eAntoine-Laurent Lavoisier (1743–1794)\u003c\/strong\u003e, célèbre\n scientifique français largement considéré comme l’un des fondateurs de la\n chimie moderne.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n La médaille fut conçue par le médailleur français\n \u003cstrong\u003eArmand-Auguste Caqué (1793–1881)\u003c\/strong\u003e, dont le portrait\n original de Lavoisier date de \u003cstrong\u003e1821\u003c\/strong\u003e. Il s’agit ici de la\n version de grand module, d’environ 50 mm, produite par la Monnaie de Paris,\n avec au revers l’inscription biographique de Lavoisier entourée d’une\n couronne de feuilles de chêne.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n \u003cstrong\u003eAvers :\u003c\/strong\u003e Portrait en haut-relief de Lavoisier tourné vers\n la gauche, avec l’inscription \u003cstrong\u003eLAURENT LAVOISIER\u003c\/strong\u003e et la\n signature \u003cstrong\u003eCAQUÉ F.\u003c\/strong\u003e sous le portrait.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n \u003cstrong\u003eRevers :\u003c\/strong\u003e Couronne de feuilles de chêne entourant une\n inscription biographique en sept lignes rappelant la naissance de Lavoisier\n à Paris en 1743, son élection à l’Académie des Sciences en 1768, sa fonction\n de Fermier Général en 1769, son administration de la Caisse d’Escompte en\n 1788 et sa mort en 1794.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçon \u0026amp; Émission\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon français à la corne d’abondance\u003c\/strong\u003e\n ainsi que la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e, caractéristiques de la\n production médaillistique associée à la \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Cet exemplaire correspond à une émission postérieure de grand module de la\n médaille de Lavoisier conçue par Caqué à partir de son portrait original de 1821.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Importance Historique\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Lavoisier fut l’une des figures les plus importantes de l’histoire de la\n chimie. Ses travaux expérimentaux transformèrent la compréhension de la\n combustion, contribuèrent à l’établissement de la nomenclature chimique\n moderne et jouèrent un rôle fondamental dans l’approche quantitative qui\n devint centrale dans la chimie moderne. Il fut exécuté pendant la Révolution\n française en \u003cstrong\u003e1794\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Sujet\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Antoine-Laurent Lavoisier (1743–1794)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Médailleur\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Armand-Auguste Caqué (1793–1881)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie \/ Atelier\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie de Paris\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Diamètre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 50–51 mm \/ 2 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 54 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dessin original du portrait\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1821\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Émission\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Émission postérieure de grand module de la médaille de Lavoisier par Caqué\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Écrin de Présentation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La médaille est accompagnée de l’écrin de présentation rouge ajusté visible\n sur les photographies. L’écrin présente une usure importante liée à l’âge,\n notamment des pertes de matière en surface, une usure des bords et des coins,\n ainsi qu’une détérioration autour de la charnière et du revêtement intérieur.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n L’écrin est inclus tel qu’il a été trouvé et\n \u003cstrong\u003esa date et son origine exactes n’ont pas été établies de manière indépendante\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La médaille elle-même présente une belle coloration ancienne du bronze,\n avec diverses marques et usures de surface compatibles avec son âge. Les\n détails du portrait et du revers restent nets et bien définis.\n \u003cstrong\u003eAucun nettoyage n’a été effectué par nos soins.\u003c\/strong\u003e\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n Veuillez examiner attentivement toutes les photographies en haute résolution\n afin d’évaluer précisément l’état de l’ensemble ; les photographies\n constituent une partie importante de la description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Une médaille historique particulièrement attrayante pour les collectionneurs\n de \u003cstrong\u003emédailles françaises, histoire des sciences, chimie, histoire des\n Lumières, souvenirs liés à Lavoisier et art médaillistique de la Monnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746545462,"sku":"Bin - Shelby - 2026-09-11","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_c909faaa-7b0f-4508-bfb3-77619f1012d3.jpg?v=1791989728"},{"product_id":"1914-wwi-reims-cathedral-vandalism-france-bronze-medal-monnaie-de-paris-50mm","title":"1914 WWI Reims Cathedral Vandalism France Bronze Medal Monnaie de Paris 50mm","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French World War I Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n 1914 French WWI\n \u003cbr\u003e\n “Reims Cathedral Victim of Vandalism”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Bronze Commemorative Medal\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0 0 14px 0;font-size:16px;\"\u003e\n Original French World War I bronze medal commemorating the\n \u003cstrong\u003ebombardment and burning of the historic Notre-Dame Cathedral of Reims in 1914\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Inscription \u0026amp; Design\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 8px 0;\"\u003e\n The obverse bears the French inscription:\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 10px 0;font-family:Georgia,'Times New Roman',serif;font-size:19px;font-weight:bold;letter-spacing:0.3px;\"\u003e\n LA CATHÉDRALE DE REIMS VICTIME DU VANDALISME 1914\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 16px 0;color:#555555;font-style:italic;\"\u003e\n “Reims Cathedral, Victim of Vandalism, 1914”\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n At center is a detailed depiction of the western façade of\n \u003cstrong\u003eReims Cathedral\u003c\/strong\u003e surrounded by flames and smoke. Below is a\n fleur-de-lis shield over branches or palms, invoking the cathedral’s\n historic importance to France and its centuries-long association with the\n coronation of French kings.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Historical Context\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n On \u003cstrong\u003eSeptember 19, 1914\u003c\/strong\u003e, during the opening phase of World\n War I, German artillery struck the cathedral and ignited scaffolding\n surrounding the building. The resulting fire caused severe damage and\n generated international outrage.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The destruction of Reims Cathedral became one of the best-known French and\n Allied symbols of wartime destruction and was widely invoked in contemporary\n propaganda.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Reverse, Hallmark \u0026amp; Attribution\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n This is a \u003cstrong\u003euniface medal\u003c\/strong\u003e, meaning the reverse was\n intentionally produced without a design.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The edge bears the French \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e followed by\n \u003cstrong\u003eBRONZE\u003c\/strong\u003e, characteristic of medallic production associated\n with the \u003cstrong\u003eMonnaie de Paris (Paris Mint)\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Published specialist references attribute this design variously to French\n medalists \u003cstrong\u003eCh.-L. Picaud\u003c\/strong\u003e and\n \u003cstrong\u003eÉdouard-Pierre Blin (1877–1946)\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1914\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n World War I \/ French Third Republic\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Subject\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bombardment and burning of Reims Cathedral\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Diameter\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 50 mm \/ 1.97 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 60 grams\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Type\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Uniface commemorative medal\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Blank, as issued\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Original antique bronze patina with scattered marks, scratches, and\n handling wear. The cathedral retains strong architectural detail and the\n inscription remains fully legible. The blank reverse exhibits numerous\n scratches and handling marks. Please review all photographs carefully for\n exact condition, as they form an important part of the description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n An evocative original piece of \u003cstrong\u003eFrench World War I medallic history\u003c\/strong\u003e\n commemorating one of the most internationally notorious episodes of\n cultural destruction during the First World War.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Première Guerre Mondiale\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n 1914 — Cathédrale de Reims\n \u003cbr\u003e\n « Victime du Vandalisme »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Médaille commémorative française en bronze\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Médaille française originale en bronze de la Première Guerre mondiale,\n commémorant le \u003cstrong\u003ebombardement et l’incendie de la cathédrale\n historique Notre-Dame de Reims en 1914\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Inscription \u0026amp; Composition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 8px 0;\"\u003e\n L’avers porte l’inscription française :\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 10px 0;font-family:Georgia,'Times New Roman',serif;font-size:19px;font-weight:bold;letter-spacing:0.3px;\"\u003e\n LA CATHÉDRALE DE REIMS VICTIME DU VANDALISME 1914\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Au centre figure une représentation détaillée de la façade occidentale\n de la \u003cstrong\u003ecathédrale de Reims\u003c\/strong\u003e, entourée de flammes et de\n fumée. Dans la partie inférieure apparaît un écu à fleur de lys posé sur\n des branches ou palmes, évoquant l’importance historique de la cathédrale\n pour la France et son association séculaire avec le sacre des rois de France.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Contexte Historique\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Le \u003cstrong\u003e19 septembre 1914\u003c\/strong\u003e, pendant les premières semaines de\n la Première Guerre mondiale, des tirs d’artillerie allemands atteignirent\n la cathédrale et mirent le feu aux échafaudages qui entouraient l’édifice.\n L’incendie qui s’ensuivit provoqua d’importants dégâts et suscita une vive\n indignation internationale.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La destruction de la cathédrale de Reims devint l’un des symboles français\n et alliés les plus célèbres des destructions de guerre et fut largement\n utilisée dans la propagande de l’époque.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Revers, Poinçon \u0026amp; Attribution\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Il s’agit d’une \u003cstrong\u003emédaille uniface\u003c\/strong\u003e, ce qui signifie que le\n revers a été intentionnellement réalisé sans décor.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon français à la corne d’abondance\u003c\/strong\u003e,\n suivi de la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e, caractéristique de la\n production médaillistique associée à la\n \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Les références spécialisées publiées attribuent ce modèle de manière\n variable aux médailleurs français \u003cstrong\u003eCh.-L. Picaud\u003c\/strong\u003e et\n \u003cstrong\u003eÉdouard-Pierre Blin (1877–1946)\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1914\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Première Guerre mondiale \/ Troisième République française\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Sujet\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bombardement et incendie de la cathédrale de Reims\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Diamètre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 50 mm \/ 1,97 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 60 grammes\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Type\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Médaille commémorative uniface\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Vierge, tel qu’émis\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Patine ancienne d’origine du bronze avec diverses marques, rayures et\n traces de manipulation. La cathédrale conserve de forts détails\n architecturaux et l’inscription reste entièrement lisible. Le revers\n vierge présente de nombreuses rayures et traces de manipulation.\n Veuillez examiner attentivement toutes les photographies afin d’évaluer\n précisément l’état de la pièce, celles-ci constituant une partie importante\n de la description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Une pièce originale et évocatrice de\n \u003cstrong\u003el’histoire médaillistique française de la Première Guerre mondiale\u003c\/strong\u003e,\n commémorant l’un des épisodes de destruction du patrimoine culturel les\n plus tristement célèbres et internationalement connus de la Grande Guerre.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\n```\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746578230,"sku":"Bin - Shelby - 2026-09-11","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_8ec94839-c43a-4c09-9eef-6ad063fe46b8.jpg?v=1791989734"},{"product_id":"sins-of-sinister-001-emma-frost-variant-edition-marvel-comic-book-issue-1-nm","title":"Sins of Sinister 001 Emma Frost Variant Edition Marvel Comic Book Issue 1 NM+","description":"Sins of Sinister 001 Emma Frost Variant Edition Marvel Comic Book Issue 1 NM+\u003cbr\u003e\u003cbr\u003eYou will receive the exact comic book in the scans.\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eUnit of Sale:\u003c\/strong\u003e Single Unit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigned By:\u003c\/strong\u003e Jeff Lemire\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTradition:\u003c\/strong\u003e US Comics\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage:\u003c\/strong\u003e No\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Single Issue\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutograph Authentication:\u003c\/strong\u003e Certified Guaranty Company (CGC)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperhero Team:\u003c\/strong\u003e X-Men\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePersonalized:\u003c\/strong\u003e No\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Color\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Character:\u003c\/strong\u003e X-MEN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e Variant Cover\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharacter:\u003c\/strong\u003e x-men\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e No\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries Title:\u003c\/strong\u003e Sins of Sinister\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUniverse:\u003c\/strong\u003e Marvel (MCU)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Marvel Comics\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInscribed:\u003c\/strong\u003e No\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntended Audience:\u003c\/strong\u003e General Audience\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCertification:\u003c\/strong\u003e NA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Comic Book\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIssue Number:\u003c\/strong\u003e 1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEra:\u003c\/strong\u003e Modern Age (1992-Now)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Superheroes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746610998,"sku":"Shelf - DM-02 - 2026-09-11","price":5.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/57_7b143dee-63d3-4e78-8c08-653065fea330.jpg?v=1791989738"},{"product_id":"1908-lucien-cariat-victoire-art-nouveau-bronze-plaquette-monnaie-de-paris-case","title":"1908 Lucien Cariat Victoire Art Nouveau Bronze Plaquette Monnaie de Paris Case","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Art Nouveau Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n 1908 Lucien Cariat\n \u003cbr\u003e\n “Victoire”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n French Art Nouveau Bronze Plaquette • Original Period Case\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Original French bronze medallic plaquette titled\n \u003cstrong\u003e“Victoire” (Victory)\u003c\/strong\u003e, created in \u003cstrong\u003e1908\u003c\/strong\u003e by\n French medallist \u003cstrong\u003eLucien Jean-Henri Cariat (1874–1925)\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The obverse depicts a \u003cstrong\u003ewinged female personification of Victory\u003c\/strong\u003e\n with both arms raised, holding a laurel branch — the traditional\n symbol of triumph and achievement. The composition is signed\n \u003cstrong\u003eL. CARIAT\u003c\/strong\u003e at lower right.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The reverse features a finely rendered \u003cstrong\u003etrumpet or horn of Fame\u003c\/strong\u003e\n surrounded by palm and laurel foliage, with a blank rectangular cartouche\n below. The design is additionally signed \u003cstrong\u003eLC\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmark \u0026amp; Presentation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The edge bears the \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e and\n \u003cstrong\u003eBRONZE\u003c\/strong\u003e mark associated with French medallic production\n of the period.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n This example is accompanied by its \u003cstrong\u003efitted period presentation case\u003c\/strong\u003e,\n with velvet interior and green silk lining. The exterior of the case shows\n considerable age-related wear, while the interior remains attractive.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Lucien Jean-Henri Cariat (1874–1925)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Victoire \/ Victory\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1908\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 78 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 80 × 34–35 mm \/ 3.15 × 1.35 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Form\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Double-sided rectangular medallic plaquette\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Obverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Winged Victory holding laurel; signed L. CARIAT\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Trumpet of Fame with palm\/laurel foliage; signed LC; blank cartouche\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Presentation\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Period fitted case\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Period Presentation Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The plaquette is accompanied by its fitted period presentation case, with\n a velvet interior and green silk lining. The case fits the plaquette closely\n and provides an attractive period presentation.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n The exterior shows considerable wear from age and handling, while the interior\n remains visually appealing despite deterioration to portions of the silk near\n the hinge.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The bronze is in attractive antique condition with strong, well-defined relief\n and an appealing aged surface. Scattered minor marks and patina variation are\n present consistent with age and handling. The cartouche remains\n \u003cstrong\u003eunengraved\u003c\/strong\u003e. \u003cstrong\u003eNo cleaning has been performed by us.\u003c\/strong\u003e\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n The fitted case shows substantially more wear, including exterior rubbing,\n edge wear, and deterioration to portions of the interior silk around the hinge.\n Please examine all photographs carefully, as they form an important part of the\n condition description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A fine example of \u003cstrong\u003eearly 20th-century French medallic art\u003c\/strong\u003e\n by Lucien Cariat, combining the classical allegory of\n \u003cstrong\u003eVictory\u003c\/strong\u003e with the flowing naturalistic ornament\n characteristic of the \u003cstrong\u003eBelle Époque\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Art Nouveau\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n 1908 Lucien Cariat\n \u003cbr\u003e\n « Victoire »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette française en bronze Art Nouveau • Écrin d’époque\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze intitulée\n \u003cstrong\u003e« Victoire »\u003c\/strong\u003e, créée en \u003cstrong\u003e1908\u003c\/strong\u003e par le\n médailleur français \u003cstrong\u003eLucien Jean-Henri Cariat (1874–1925)\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n L’avers représente une \u003cstrong\u003epersonnification féminine ailée de la Victoire\u003c\/strong\u003e,\n les deux bras levés, tenant une branche de laurier — symbole traditionnel\n du triomphe et de la réussite. La composition est signée\n \u003cstrong\u003eL. CARIAT\u003c\/strong\u003e en bas à droite.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le revers présente une \u003cstrong\u003etrompette ou corne de la Renommée\u003c\/strong\u003e\n finement exécutée, entourée de feuillages de palmier et de laurier, avec un\n cartouche rectangulaire vierge dans la partie inférieure. Le dessin porte\n également la signature \u003cstrong\u003eLC\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçon \u0026amp; Présentation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon à la corne d’abondance\u003c\/strong\u003e ainsi que\n la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e, associés à la production médaillistique\n française de cette période.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Cet exemplaire est accompagné de son\n \u003cstrong\u003eécrin de présentation ajusté d’époque\u003c\/strong\u003e, avec intérieur en\n velours et doublure en soie verte. L’extérieur de l’écrin présente une usure\n importante liée à l’âge, tandis que l’intérieur reste attrayant.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Lucien Jean-Henri Cariat (1874–1925)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Victoire \/ Victory\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n 1908\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 78 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 80 × 34–35 mm \/ 3,15 × 1,35 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Forme\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Plaquette médaillistique rectangulaire à double face\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Avers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Victoire ailée tenant une branche de laurier ; signée L. CARIAT\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Trompette de la Renommée avec feuillages de palmier et de laurier ;\n signée LC ; cartouche vierge\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Présentation\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Écrin ajusté d’époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Écrin de Présentation d’Époque\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La plaquette est accompagnée de son écrin de présentation ajusté d’époque,\n avec intérieur en velours et doublure en soie verte. L’écrin épouse étroitement\n la forme de la plaquette et constitue une présentation ancienne particulièrement\n attrayante.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n L’extérieur présente une usure importante due à l’âge et à la manipulation,\n tandis que l’intérieur conserve un bel aspect malgré la détérioration de\n certaines parties de la soie autour de la charnière.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le bronze est dans un bel état ancien, avec un relief fort et bien défini\n ainsi qu’une surface patinée attrayante. Quelques petites marques et variations\n de patine sont présentes, conformes à l’âge et à la manipulation. Le cartouche\n reste \u003cstrong\u003enon gravé\u003c\/strong\u003e. \u003cstrong\u003eAucun nettoyage n’a été effectué par nos soins.\u003c\/strong\u003e\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n L’écrin ajusté présente une usure nettement plus importante, notamment des\n frottements extérieurs, une usure des bords et une détérioration de certaines\n parties de la soie intérieure autour de la charnière. Veuillez examiner\n attentivement toutes les photographies, qui constituent une partie importante\n de la description de l’état.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un bel exemple de \u003cstrong\u003el’art médaillistique français du début du XXe siècle\u003c\/strong\u003e\n par Lucien Cariat, associant l’allégorie classique de la\n \u003cstrong\u003eVictoire\u003c\/strong\u003e aux ornements naturalistes et fluides caractéristiques\n de la \u003cstrong\u003eBelle Époque\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746676534,"sku":"Bin - Shelby - 2026-09-11","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_8b808444-c6a4-4cc5-8459-f53ea5b7ccb9.jpg?v=1791989746"},{"product_id":"wwi-j-aumont-aux-braves-bronze-plaquette-1918-france-victory-soldier-w-case","title":"WWI J Aumont AUX BRAVES Bronze Plaquette 1918 France Victory Soldier w Case","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French World War I Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n J. Aumont\n \u003cbr\u003e\n “AUX BRAVES”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n French WWI Bronze Plaquette • c. 1918–1919\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Original French World War I bronze medallic plaquette entitled\n \u003cstrong\u003eAUX BRAVES\u003c\/strong\u003e (“To the Brave”), signed\n \u003cstrong\u003eJ. Aumont\u003c\/strong\u003e and dating to approximately\n \u003cstrong\u003e1918–1919\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The obverse depicts the \u003cstrong\u003ewinged allegorical figure of Victory\u003c\/strong\u003e\n honoring a French soldier, or \u003cstrong\u003epoilu\u003c\/strong\u003e, placing an arm around\n him while raising a laurel branch above his helmet. The soldier stands in\n full military equipment holding his rifle. The inscription\n \u003cstrong\u003eAUX BRAVES\u003c\/strong\u003e appears below.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The reverse bears an elegant relief composition of a\n \u003cstrong\u003epalm frond and oak branch\u003c\/strong\u003e, traditional symbols associated\n with victory, honor, strength, and courage.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Museum References \u0026amp; Dating\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n An identical example is preserved by \u003cstrong\u003eMuseums Victoria\u003c\/strong\u003e,\n which catalogs the design as \u003cem\u003eMedal – Aux Braves (The Brave)\u003c\/em\u003e\n by J. Aumont, France, circa 1918.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Another example is held by the \u003cstrong\u003eCleveland Museum of Art\u003c\/strong\u003e,\n where the design is dated \u003cstrong\u003e1919\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmark \u0026amp; Specifications\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n This example measures approximately \u003cstrong\u003e67 × 56–57 mm\u003c\/strong\u003e,\n weighs approximately \u003cstrong\u003e108 grams\u003c\/strong\u003e, and bears the French\n \u003cstrong\u003ecornucopia + BRONZE\u003c\/strong\u003e edge hallmark associated with\n Monnaie de Paris bronze medallic production.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n J. Aumont\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n AUX BRAVES \/ To the Brave\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n c. 1918–1919\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n World War I \/ Immediate Postwar Period\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 67 × 56–57 mm \/ 2.64 × 2.2 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 108 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Obverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Victory honoring a French poilu with laurel branch\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Palm frond and oak branch\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Antique Fitted Presentation Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Accompanied by an old fitted burgundy\/red presentation case. The case shows\n substantial age-related deterioration, including a\n \u003cstrong\u003eseparated lid\u003c\/strong\u003e, fraying and losses to the interior fabric,\n and exterior wear.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The hinge remains intact and the lid appears as though it could potentially\n be reattached by a future owner. The case is included as found;\n \u003cstrong\u003eits original association with this particular plaquette has not\n been independently established\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The bronze itself retains strong relief and attractive aged surface\n character, with scattered dark spots, small marks, scratches, and normal\n handling and surface wear consistent with age.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n Please examine all photographs carefully for exact condition, as they form\n an important part of the description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A compelling example of \u003cstrong\u003eFrench World War I medallic art\u003c\/strong\u003e,\n combining the imagery of the French \u003cstrong\u003epoilu\u003c\/strong\u003e with the\n allegorical figure of \u003cstrong\u003eVictory\u003c\/strong\u003e in a tribute to courage,\n sacrifice, and military honor.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Première Guerre Mondiale\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n J. Aumont\n \u003cbr\u003e\n « AUX BRAVES »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette française en bronze • vers 1918–1919\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze de la Première\n Guerre mondiale, intitulée \u003cstrong\u003eAUX BRAVES\u003c\/strong\u003e, signée\n \u003cstrong\u003eJ. Aumont\u003c\/strong\u003e et datée approximativement de\n \u003cstrong\u003e1918–1919\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n L’avers représente la \u003cstrong\u003efigure allégorique ailée de la Victoire\u003c\/strong\u003e\n rendant hommage à un soldat français, ou \u003cstrong\u003epoilu\u003c\/strong\u003e. Elle passe\n un bras autour de lui tout en élevant une branche de laurier au-dessus de\n son casque. Le soldat, en équipement militaire complet, tient son fusil.\n L’inscription \u003cstrong\u003eAUX BRAVES\u003c\/strong\u003e apparaît dans la partie inférieure.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le revers présente une élégante composition en relief associant une\n \u003cstrong\u003epalme et une branche de chêne\u003c\/strong\u003e, symboles traditionnels de\n victoire, d’honneur, de force et de courage.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Références Muséales \u0026amp; Datation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Un exemplaire identique est conservé par \u003cstrong\u003eMuseums Victoria\u003c\/strong\u003e,\n qui répertorie le modèle sous le titre\n \u003cem\u003eMedal – Aux Braves (The Brave)\u003c\/em\u003e, par J. Aumont, France,\n vers 1918.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Un autre exemplaire est conservé au\n \u003cstrong\u003eCleveland Museum of Art\u003c\/strong\u003e, où le modèle est daté de\n \u003cstrong\u003e1919\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçon \u0026amp; Dimensions\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Cet exemplaire mesure environ \u003cstrong\u003e67 × 56–57 mm\u003c\/strong\u003e,\n pèse approximativement \u003cstrong\u003e108 grammes\u003c\/strong\u003e et porte sur la tranche\n le poinçon français \u003cstrong\u003ecorne d’abondance + BRONZE\u003c\/strong\u003e, associé à\n la production de médailles en bronze de la Monnaie de Paris.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n J. Aumont\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n AUX BRAVES\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n vers 1918–1919\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Première Guerre mondiale \/ immédiat après-guerre\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 67 × 56–57 mm \/ 2,64 × 2,2 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 108 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Avers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Victoire honorant un poilu français avec une branche de laurier\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Palme et branche de chêne\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Ancien Écrin de Présentation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Accompagnée d’un ancien écrin ajusté bordeaux\/rouge. L’écrin présente une\n importante détérioration liée à l’âge, notamment un\n \u003cstrong\u003ecouvercle séparé\u003c\/strong\u003e, des effilochages et pertes du tissu\n intérieur ainsi qu’une usure extérieure.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La charnière demeure présente et le couvercle semble pouvoir éventuellement\n être refixé par un futur propriétaire. L’écrin est inclus tel qu’il a été\n trouvé ; \u003cstrong\u003eson association d’origine avec cette plaquette précise\n n’a pas été établie de manière indépendante\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le bronze conserve un relief fort et une belle surface ancienne, avec\n quelques taches sombres, petites marques, rayures et traces normales de\n manipulation et d’usure compatibles avec son âge.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n Veuillez examiner attentivement toutes les photographies afin d’évaluer\n précisément l’état de la pièce ; elles constituent une partie importante\n de la description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un remarquable exemple de\n \u003cstrong\u003el’art médaillistique français de la Première Guerre mondiale\u003c\/strong\u003e,\n associant l’image du \u003cstrong\u003epoilu français\u003c\/strong\u003e à la figure allégorique\n de la \u003cstrong\u003eVictoire\u003c\/strong\u003e dans un hommage au courage, au sacrifice\n et à l’honneur militaire.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746709302,"sku":"Bin - Shelby - 2026-09-11","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_2994bfca-3214-466e-a2ac-d2eb36392caf.jpg?v=1791989753"},{"product_id":"c1909-francoise-montagny-sapho-sappho-lyre-french-bronze-plaquette-w-case","title":"c1909 Françoise Montagny SAPHO Sappho Lyre French Bronze Plaquette w\/ Case","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Art Nouveau Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Françoise Montagny\n \u003cbr\u003e\n “Sapho jouant de la lyre”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n French Bronze Plaquette • c. 1909 • Period Fitted Case\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Original French bronze medallic plaquette by\n \u003cstrong\u003eFrançoise Montagny\u003c\/strong\u003e, depicting the ancient Greek lyric poet\n \u003cstrong\u003eSappho (Sapho)\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n One side depicts \u003cstrong\u003eSappho seated upon a rocky outcrop while playing\n the lyre\u003c\/strong\u003e, rendered in finely modeled relief.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The reverse depicts the ruins and columns of a\n \u003cstrong\u003eclassical Greek temple overlooking the Mediterranean\u003c\/strong\u003e,\n with a decorative blank cartouche below.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Dating \u0026amp; Reference\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The design dates to approximately \u003cstrong\u003e1908–1909\u003c\/strong\u003e and is\n documented in specialist medallic references and auction archives.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Published examples measure approximately \u003cstrong\u003e81 × 36 mm\u003c\/strong\u003e,\n corresponding closely with the present example.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Hallmark\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The edge bears the French \u003cstrong\u003ecornucopia hallmark\u003c\/strong\u003e together\n with the \u003cstrong\u003eBRONZE\u003c\/strong\u003e mark.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Françoise Montagny\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Sapho jouant de la lyre \/ Sappho Playing the Lyre\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n c. 1909\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 100 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 81 × 36 mm \/ 3.2 × 1.4 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Obverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Sappho seated on rocks playing the lyre\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Classical temple ruins overlooking the sea with blank presentation cartouche\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Period Fitted Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Presented in an antique fitted hinged case with\n \u003cstrong\u003egreen silk and velvet interior\u003c\/strong\u003e. The case appears period and\n is closely fitted to the plaquette.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eWe have not established whether the case was originally issued with\n this particular example.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The bronze displays an attractive aged brown patina with scattered minor\n marks and surface variation consistent with age and handling. The relief\n remains \u003cstrong\u003eexceptionally strong and well defined\u003c\/strong\u003e, and the\n reverse presentation cartouche remains \u003cstrong\u003eunengraved\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n The fitted case shows considerably more age-related wear, including exterior\n rubbing, edge losses, and deterioration around the hinge and covering.\n Please examine all photographs carefully, as they form an important part of\n the condition description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n A particularly attractive example of\n \u003cstrong\u003eearly 20th-century French medallic art\u003c\/strong\u003e, combining the imagery\n of \u003cstrong\u003eSappho, poetry, and music\u003c\/strong\u003e with the classical Mediterranean\n landscape.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Art Nouveau\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Françoise Montagny\n \u003cbr\u003e\n « Sapho jouant de la lyre »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Plaquette française en bronze • vers 1909 • Écrin ajusté d’époque\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze de\n \u003cstrong\u003eFrançoise Montagny\u003c\/strong\u003e, représentant la poétesse lyrique grecque\n de l’Antiquité \u003cstrong\u003eSapho\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Une face représente \u003cstrong\u003eSapho assise sur un promontoire rocheux,\n jouant de la lyre\u003c\/strong\u003e, dans un relief finement modelé.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le revers représente les ruines et colonnes d’un\n \u003cstrong\u003etemple grec classique dominant la Méditerranée\u003c\/strong\u003e, avec un\n cartouche décoratif vierge dans la partie inférieure.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Datation \u0026amp; Références\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Le modèle date approximativement de \u003cstrong\u003e1908–1909\u003c\/strong\u003e et est\n documenté dans des références spécialisées consacrées aux médailles ainsi\n que dans les archives de ventes aux enchères.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Les exemplaires publiés mesurent environ\n \u003cstrong\u003e81 × 36 mm\u003c\/strong\u003e, dimensions correspondant étroitement à\n celles du présent exemplaire.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Poinçon\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n La tranche porte le \u003cstrong\u003epoinçon français à la corne d’abondance\u003c\/strong\u003e\n ainsi que la mention \u003cstrong\u003eBRONZE\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Françoise Montagny\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Sapho jouant de la lyre \/ Sappho Playing the Lyre\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n vers 1909\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période \/ Style\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Art Nouveau \/ Belle Époque\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 100 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 81 × 36 mm \/ 3,2 × 1,4 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Avers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Sapho assise sur des rochers, jouant de la lyre\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Ruines d’un temple classique dominant la mer avec cartouche de présentation vierge\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Écrin Ajusté d’Époque\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Présentée dans un écrin ancien à charnière, ajusté à la plaquette, avec\n intérieur en \u003cstrong\u003esoie verte et velours\u003c\/strong\u003e. L’écrin paraît d’époque\n et épouse étroitement la forme de la plaquette.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eNous n’avons toutefois pas établi que cet écrin ait été livré à\n l’origine avec cet exemplaire particulier.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le bronze présente une belle patine brune ancienne avec quelques petites\n marques et variations de surface compatibles avec l’âge et la manipulation.\n Le relief demeure \u003cstrong\u003eexceptionnellement net et bien défini\u003c\/strong\u003e,\n et le cartouche de présentation au revers reste \u003cstrong\u003enon gravé\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n L’écrin ajusté présente une usure nettement plus importante liée à l’âge,\n notamment des frottements extérieurs, des pertes sur les bords et une\n détérioration autour de la charnière et du revêtement. Veuillez examiner\n attentivement toutes les photographies, qui constituent une partie\n importante de la description de l’état.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un exemple particulièrement séduisant de\n \u003cstrong\u003el’art médaillistique français du début du XXe siècle\u003c\/strong\u003e,\n associant l’imagerie de \u003cstrong\u003eSapho, de la poésie et de la musique\u003c\/strong\u003e\n au paysage classique de la Méditerranée.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728746742070,"sku":"Bin - Shelby - 2026-09-11","price":349.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_7388236d-4c4a-4407-8db4-a02b56d3c01a.jpg?v=1791989754"},{"product_id":"c1907-ernesta-robert-merignac-vendeenne-bronze-plaquette-paris-mint-w-case","title":"c1907 Ernesta Robert-Merignac Vendeenne Bronze Plaquette Paris Mint w\/ Case","description":"\u003cdiv style=\"max-width:820px;margin:0 auto;padding:18px;font-family:Arial,Helvetica,sans-serif;color:#222222;line-height:1.6;background:#ffffff;box-sizing:border-box;\"\u003e\n\n \u003c!-- ========================= --\u003e\n \u003c!-- ENGLISH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"en\" style=\"margin:0 0 42px 0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n French Belle Époque Medallic Art\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Ernesta Robert-Mérignac\n \u003cbr\u003e\n “Vendéenne”\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Les Belles Coiffes de France • Bronze Plaquette • c. 1907\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Original French bronze medallic plaquette by\n \u003cstrong\u003eErnesta Robert-Mérignac (1858–1933)\u003c\/strong\u003e, entitled\n \u003cstrong\u003eVendéenne\u003c\/strong\u003e and belonging to the artist’s celebrated\n \u003cstrong\u003eLes Belles Coiffes de France\u003c\/strong\u003e (“The Beautiful Headdresses of France”)\n series depicting women in the traditional regional dress of France.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Obverse \u0026amp; Reverse\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n The obverse presents a finely modeled young woman of the\n \u003cstrong\u003eVendée\u003c\/strong\u003e in left-facing profile, wearing a traditional\n regional headdress. \u003cstrong\u003eVENDÉENNE\u003c\/strong\u003e is inscribed prominently\n below the portrait, with the artist’s signature\n \u003cstrong\u003eE. Robert-Mérignac\u003c\/strong\u003e along the right side.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The reverse depicts a characteristic Vendée landscape centered upon a\n \u003cstrong\u003eroadside calvary\u003c\/strong\u003e, surrounded by trees, buildings, and\n vegetation. The design bears Robert-Mérignac’s\n \u003cstrong\u003eE.R.M.\u003c\/strong\u003e initials at lower right.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Les Belles Coiffes de France\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Pairing a traditional female portrait with imagery characteristic of her\n home region was a defining feature of Robert-Mérignac’s\n \u003cstrong\u003eCoiffes de France\u003c\/strong\u003e series.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Ernesta Robert-Mérignac was a French sculptor and medalist particularly\n associated with this extensive series of regional female portraits.\n Contemporary documentation specifically mentions\n \u003cstrong\u003eVendéenne\u003c\/strong\u003e among her Coiffes de France plaquettes and\n praises the youthful freshness of its subject. The series was produced\n in bronze by the \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Dating \u0026amp; Reference\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n A specialist auction catalog identifies the\n \u003cstrong\u003eVendéenne\u003c\/strong\u003e design as Paris, circa \u003cstrong\u003e1907\u003c\/strong\u003e,\n and references it as \u003cstrong\u003eMdP M.98\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Other institutional documentation gives the broader production period of\n the series as \u003cstrong\u003e1908–1922\u003c\/strong\u003e. The present plaquette is\n therefore best described as \u003cstrong\u003eundated, early 20th century, circa\n 1907–1910\u003c\/strong\u003e, rather than assigning an absolute striking year.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Item Details\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artist\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Ernesta Robert-Mérignac (1858–1933)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Title\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Vendéenne\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Series\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Les Belles Coiffes de France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Undated, design generally attributed c. 1907\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Country\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Mint\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie de Paris \/ Paris Mint\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Period\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Belle Époque \/ early 20th century\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Material\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Weight\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 98 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Approximately 63 × 44 mm \/ 2.5 × 1.75 in.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Edge\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Cornucopia hallmark + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reference\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n MdP M.98\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Obverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Young Vendée woman in traditional regional headdress; VENDÉENNE below\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Reverse\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Vendée landscape with roadside calvary; E.R.M. initials\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Antique Fitted Presentation Case\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Presented in an antique fitted hinged presentation case with a\n \u003cstrong\u003erich blue velvet interior\u003c\/strong\u003e. The case appears period and is\n closely fitted to the plaquette.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eWe have not established whether the case was originally issued\n with this particular example.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Condition\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n The bronze displays an attractive aged golden-brown surface with scattered\n marks, patina variation, and handling wear consistent with age. The portrait\n retains particularly strong detail in the young woman’s face, hair, and\n elaborate regional headdress, while the reverse landscape remains well defined.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n The fitted case displays age-related wear, particularly around its edges\n and hinge. Please examine all photographs carefully, as they form an\n important part of the condition description.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n An appealing example of \u003cstrong\u003eFrench Belle Époque medallic art\u003c\/strong\u003e,\n combining \u003cstrong\u003eportraiture, regional costume, French cultural history,\n and landscape imagery\u003c\/strong\u003e in one of Ernesta Robert-Mérignac’s\n best-known artistic series.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- LANGUAGE DIVIDER --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003cdiv style=\"margin:40px 0;border-top:1px solid #cccccc;text-align:center;\"\u003e\n \u003cspan style=\"display:inline-block;position:relative;top:-14px;padding:4px 18px;background:#ffffff;color:#777777;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;\"\u003e\n Version Française\n \u003c\/span\u003e\n \u003c\/div\u003e\n\n\n \u003c!-- ========================= --\u003e\n \u003c!-- FRENCH VERSION --\u003e\n \u003c!-- ========================= --\u003e\n\n \u003carticle lang=\"fr\" style=\"margin:0;\"\u003e\n\n \u003cheader style=\"border-bottom:3px solid #8a6a3f;padding-bottom:16px;margin-bottom:24px;\"\u003e\n \u003cp style=\"margin:0 0 6px 0;font-size:13px;letter-spacing:1.5px;text-transform:uppercase;color:#8a6a3f;font-weight:bold;\"\u003e\n Art Médaillistique Français • Belle Époque\n \u003c\/p\u003e\n\n \u003ch1 style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:28px;line-height:1.25;color:#262626;\"\u003e\n Ernesta Robert-Mérignac\n \u003cbr\u003e\n « Vendéenne »\n \u003c\/h1\u003e\n\n \u003cp style=\"margin:10px 0 0 0;font-size:17px;color:#555555;\"\u003e\n Les Belles Coiffes de France • Plaquette en bronze • vers 1907\n \u003c\/p\u003e\n \u003c\/header\u003e\n\n\n \u003csection style=\"margin-bottom:26px;\"\u003e\n \u003cp style=\"margin:0;font-size:16px;\"\u003e\n Plaquette médaillistique française originale en bronze d’\n \u003cstrong\u003eErnesta Robert-Mérignac (1858–1933)\u003c\/strong\u003e, intitulée\n \u003cstrong\u003eVendéenne\u003c\/strong\u003e et appartenant à sa célèbre série\n \u003cstrong\u003eLes Belles Coiffes de France\u003c\/strong\u003e, consacrée aux femmes portant\n les costumes et coiffes traditionnels des différentes régions de France.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Avers \u0026amp; Revers\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n L’avers présente une jeune femme de la \u003cstrong\u003eVendée\u003c\/strong\u003e, finement\n modelée de profil vers la gauche et portant une coiffe régionale\n traditionnelle. L’inscription \u003cstrong\u003eVENDÉENNE\u003c\/strong\u003e apparaît\n clairement sous le portrait, tandis que la signature\n \u003cstrong\u003eE. Robert-Mérignac\u003c\/strong\u003e figure le long du côté droit.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le revers représente un paysage caractéristique de la Vendée, centré sur\n un \u003cstrong\u003ecalvaire au bord d’un chemin\u003c\/strong\u003e, entouré d’arbres,\n de bâtiments et de végétation. Les initiales\n \u003cstrong\u003eE.R.M.\u003c\/strong\u003e de Robert-Mérignac apparaissent en bas à droite.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Les Belles Coiffes de France\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n L’association d’un portrait féminin en costume traditionnel avec une\n représentation caractéristique de sa région constitue l’un des traits\n distinctifs de la série \u003cstrong\u003eCoiffes de France\u003c\/strong\u003e de Robert-Mérignac.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Ernesta Robert-Mérignac fut une sculptrice et médailleuse française\n particulièrement connue pour cette vaste série de portraits féminins\n régionaux. Des documents contemporains mentionnent spécifiquement\n \u003cstrong\u003eVendéenne\u003c\/strong\u003e parmi ses plaquettes des Coiffes de France et\n soulignent la fraîcheur juvénile de son modèle. La série fut produite en\n bronze par la \u003cstrong\u003eMonnaie de Paris\u003c\/strong\u003e.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Datation \u0026amp; Référence\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0 0 14px 0;\"\u003e\n Un catalogue de vente spécialisé situe le modèle\n \u003cstrong\u003eVendéenne\u003c\/strong\u003e à Paris vers \u003cstrong\u003e1907\u003c\/strong\u003e et le\n référence sous \u003cstrong\u003eMdP M.98\u003c\/strong\u003e.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n D’autres documents institutionnels indiquent pour l’ensemble de la série\n une période de production plus large, de \u003cstrong\u003e1908 à 1922\u003c\/strong\u003e.\n Il est donc préférable de décrire cette plaquette comme\n \u003cstrong\u003enon datée, début du XXe siècle, vers 1907–1910\u003c\/strong\u003e,\n plutôt que de lui attribuer une année de frappe absolument certaine.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:30px;\"\u003e\n \u003ch2 style=\"margin:0 0 14px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Caractéristiques\n \u003c\/h2\u003e\n\n \u003ctable role=\"presentation\" style=\"width:100%;border-collapse:collapse;font-size:15px;\"\u003e\n \u003ctbody\u003e\n\n \u003ctr\u003e\n \u003cth style=\"width:34%;padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Artiste\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Ernesta Robert-Mérignac (1858–1933)\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Titre\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Vendéenne\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Série\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Les Belles Coiffes de France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Date\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Non datée, modèle généralement attribué vers 1907\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Pays\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n France\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Monnaie de Paris\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Période\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Belle Époque \/ début du XXe siècle\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Matière\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Bronze\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Poids\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 98 g\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Dimensions\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Environ 63 × 44 mm \/ 2,5 × 1,75 po\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Tranche\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Poinçon à la corne d’abondance + BRONZE\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Référence\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n MdP M.98\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Avers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Jeune Vendéenne en coiffe régionale traditionnelle ; VENDÉENNE en dessous\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003ctr\u003e\n \u003cth style=\"padding:9px 10px;text-align:left;vertical-align:top;background:#f4f4f4;border-bottom:1px solid #dddddd;\"\u003e\n Revers\n \u003c\/th\u003e\n \u003ctd style=\"padding:9px 10px;border-bottom:1px solid #dddddd;\"\u003e\n Paysage vendéen avec calvaire au bord d’un chemin ; initiales E.R.M.\n \u003c\/td\u003e\n \u003c\/tr\u003e\n\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"background:#f7f4ef;border-left:4px solid #8a6a3f;padding:18px 20px;margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n Écrin Ancien de Présentation\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Présentée dans un ancien écrin de présentation à charnière, ajusté à la\n plaquette et doté d’un \u003cstrong\u003eriche intérieur en velours bleu\u003c\/strong\u003e.\n L’écrin paraît d’époque et épouse étroitement la forme de la pièce.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n \u003cstrong\u003eNous n’avons toutefois pas établi qu’il ait été livré à l’origine\n avec cet exemplaire particulier.\u003c\/strong\u003e\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"margin-bottom:28px;\"\u003e\n \u003ch2 style=\"margin:0 0 12px 0;font-family:Georgia,'Times New Roman',serif;font-size:21px;color:#333333;\"\u003e\n État\n \u003c\/h2\u003e\n\n \u003cp style=\"margin:0;\"\u003e\n Le bronze présente une belle surface ancienne brun doré, avec diverses\n marques, variations de patine et traces de manipulation compatibles avec\n l’âge. Le portrait conserve des détails particulièrement nets dans le visage,\n la chevelure et l’élaborée coiffe régionale de la jeune femme, tandis que\n le paysage du revers reste bien défini.\n \u003c\/p\u003e\n\n \u003cp style=\"margin:14px 0 0 0;\"\u003e\n L’écrin ajusté présente une usure liée à l’âge, particulièrement autour\n des bords et de la charnière. Veuillez examiner attentivement toutes les\n photographies, qui constituent une partie importante de la description\n de l’état.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n\n \u003csection style=\"border:1px solid #d8cbb8;padding:20px;background:#fcfaf7;\"\u003e\n \u003cp style=\"margin:0;font-family:Georgia,'Times New Roman',serif;font-size:18px;\"\u003e\n Un séduisant exemple de \u003cstrong\u003el’art médaillistique français de la Belle Époque\u003c\/strong\u003e,\n réunissant \u003cstrong\u003eportrait, costume régional, histoire culturelle française\n et paysage\u003c\/strong\u003e dans l’une des séries artistiques les plus connues\n d’Ernesta Robert-Mérignac.\n \u003c\/p\u003e\n \u003c\/section\u003e\n\n \u003c\/article\u003e\n\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCirculated\/Uncirculated:\u003c\/strong\u003e Circulated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposition:\u003c\/strong\u003e Bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Medal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e France\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67728747168054,"sku":"Bin - Shelby - 2026-09-11","price":149.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/10_4af437a6-503f-45ae-aa30-c8bccce57597.jpg?v=1791989763"},{"product_id":"sports-illustrated-june-10-1991-michael-jordan-magic-johnson-lakers-bulls-nba","title":"Sports Illustrated June 10, 1991 Michael Jordan Magic Johnson Lakers Bulls NBA","description":"\u003cdiv style=\"max-width:900px;margin:0 auto;\"\u003e\n\u003c!-- begin mobile summary --\u003e\n\u003cdiv vocab=\"https:\/\/schema.org\/\" typeof=\"Product\" style=\"display:none\"\u003e\u003cspan property=\"description\"\u003eYou will receive the exact cards in the scans. The scans are not stock photos—they are actual scans of the cards you will receive. Please send a message if you have any questions or read the full description.\u003c\/span\u003e\u003c\/div\u003e\n\u003c!-- end mobile summary --\u003e\n\u003ch1\u003eSports Illustrated June 10, 1991 Michael Jordan Magic Johnson Lakers Bulls NBA\u003c\/h1\u003e\n\u003cp\u003eYou will receive the exact magazine in the scans. There are no missing pages, cut outs, writing, or other major damage. Please send a message if you have any questions.\u003c\/p\u003e\n\u003ch2\u003eShipping Details\u003c\/h2\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eEverything ships at a flat rate using either eBay Standard Envelope or USPS Ground Advantage which comes with tracking and insurance. You can check the shipping information for this listing to learn more or send a message with any questions. \u003cb\u003eIf shipping is $6 then it will be $6 no matter how many other items you purchase.\u003c\/b\u003e Your cards will packed safely. I pay attention to details when shipping and your order will also be quick and easy to open.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2\u003eReturn Policy\u003c\/h2\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eI offer free returns but please message me first instead of opening a case with eBay. We have more options that can save us both time and money if we deal with each other directly because an eBay case will usually result in the inconvenience of you having to package and ship your order back to me before I can do anything else. There are no free returns for international orders.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2\u003eVisit My Store for Coupon Discounts!\u003c\/h2\u003e\n\u003cp\u003eI'm almost always running a deal and often send offers to buyers. New cards are listed daily too. Check out my eBay store here (\u003ca href=\"\" https:=\"\" www.ebay.com=\"\" str=\"\" paulcarlcards\u003ehttps:\/\/www.ebay.com\/str\/paulcarlcards\u003c\/a\u003e) to see the latest deals and newest cards. Make sure to follow my store too so you can get exclusive private offers that go out to followers and repeat customers only.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eAll images in this listing are original creations by Paul Carl Cards and are protected by copyright. Unauthorized use is prohibited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Month:\u003c\/strong\u003e June\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Year:\u003c\/strong\u003e 1991\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Frequency:\u003c\/strong\u003e Weekly\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePublication Name:\u003c\/strong\u003e Sports Illustrated\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e No\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDistribution:\u003c\/strong\u003e Paid Circulation\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Sports\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTopic:\u003c\/strong\u003e NBA Finals\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubscription:\u003c\/strong\u003e Yes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67730329370934,"sku":"PCC - 2025-07-25","price":18.74,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/57_ea68a258-bc1e-4fd8-9213-5ef9e675f052.jpg?v=1792013389"},{"product_id":"baseball-cards-magazine-nov-1989-no-cards-ken-griffey-jr-hank-aaron-mariners","title":"Baseball Cards Magazine Nov 1989 NO CARDS Ken Griffey Jr Hank Aaron Mariners","description":"\u003cdiv style=\"max-width:900px;margin:0 auto;\"\u003e\n\u003c!-- begin mobile summary --\u003e\n\u003cdiv vocab=\"https:\/\/schema.org\/\" typeof=\"Product\" style=\"display:none\"\u003e\u003cspan property=\"description\"\u003eYou will receive the exact cards in the scans. The scans are not stock photos—they are actual scans of the cards you will receive. Please send a message if you have any questions or read the full description.\u003c\/span\u003e\u003c\/div\u003e\n\u003c!-- end mobile summary --\u003e\n\u003ch1\u003eBaseball Cards Magazine Nov 1989 Ken Griffey Jr Hank Aaron Braves Mariners\u003c\/h1\u003e\n\u003cp\u003eYou will receive the exact magazine in the scans. There are no missing pages, cut outs, writing, or other major damage. Please send a message if you have any questions.\u003c\/p\u003e\n\u003ch2\u003eShipping Details\u003c\/h2\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eEverything ships at a flat rate using either eBay Standard Envelope or USPS Ground Advantage which comes with tracking and insurance. You can check the shipping information for this listing to learn more or send a message with any questions. \u003cb\u003eIf shipping is $6 then it will be $6 no matter how many other items you purchase.\u003c\/b\u003e Your cards will packed safely. I pay attention to details when shipping and your order will also be quick and easy to open.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2\u003eReturn Policy\u003c\/h2\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eI offer free returns but please message me first instead of opening a case with eBay. We have more options that can save us both time and money if we deal with each other directly because an eBay case will usually result in the inconvenience of you having to package and ship your order back to me before I can do anything else. There are no free returns for international orders.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2\u003eVisit My Store for Coupon Discounts!\u003c\/h2\u003e\n\u003cp\u003eI'm almost always running a deal and often send offers to buyers. New cards are listed daily too. Check out my eBay store here (\u003ca href=\"\" https:=\"\" www.ebay.com=\"\" str=\"\" paulcarlcards\u003ehttps:\/\/www.ebay.com\/str\/paulcarlcards\u003c\/a\u003e) to see the latest deals and newest cards. Make sure to follow my store too so you can get exclusive private offers that go out to followers and repeat customers only.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eAll images in this listing are original creations by Paul Carl Cards and are protected by copyright. Unauthorized use is prohibited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSport:\u003c\/strong\u003e Baseball\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlayer:\u003c\/strong\u003e Ken Griffey, Jr., Tom Gordon, Jerome Walton, Hank Aaron, Jim Abb\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1989\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal\/Reproduction:\u003c\/strong\u003e Original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeam:\u003c\/strong\u003e Seattle Mariners, Chicago Cubs, Atlanta Braves\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeam-Baseball:\u003c\/strong\u003e Seattle Mariners, Chicago Cubs, Atlanta Braves\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage:\u003c\/strong\u003e Yes\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Paul Carl Cards","offers":[{"title":"Default Title","offer_id":67730351292726,"sku":"PCC - 2026-07-29","price":11.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0958\/8624\/6198\/files\/57_95aa6d83-dda9-4f88-b283-c59cdaa36c08.jpg?v=1792014308"}],"url":"https:\/\/shop.paulcarlcards.com\/collections\/other.oembed","provider":"Paul Carl Cards","version":"1.0","type":"link"}